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Finding Your Voice Through Character Dialogue

August 07, 20255 min read

Finding Your Voice Through Character Dialogue

Whether you’ve been writing for years just hitting the starting line, discovering your authorial voice can feel like chasing a hummingbird—beautiful, elusive, and prone to dart away the moment you get close. But here’s the good news: your narrative voice often lives in the small moments, the offhand jokes, and the little quirks you give your characters. By mining character dialogue, you can unearth the cadence, tone, and personality that become unmistakably yours.


Why Dialogue Is a Voice Goldmine

Dialogue isn’t just back-and-forth chatter—it’s a spotlight on how your characters think, feel, and react. When you write conversation, you’re forced to choose exactly the right words, rhythms, and pauses. Those choices reveal your narrative voice more clearly than any description ever could.

Early on in my writing, I wrote some questionable stuff to be honest, but I had epic mentors who told me it was crap and then showed me how to make it stronger. It’s not the shit sando everybody wants, but it’s effective and makes you one hell of a strong writer. 

The poetry and short stories I wrote then and still write now are narrative in nature. For a long time, it didn’t fit in well with the norm in publishing, but then Bookstagram helped me see that we, as readers, want to live in the murky feelings, the cringy dialogue, and the parts that make us feel what the characters are feeling. And that’s where dialogue comes in. It can persuade your readers to fall in love or hate a character. It can move your story along. It can create exposition. And that’s where we, as writers, find our voice.


The Three-Take Dialogue Drill


I wouldn’t be a good mentor if I didn’t give you some practice so here’s a quick writing exercise will help you isolate and amplify your style:

  1. Pick a Scene: Choose a 200–300-word dialogue exchange from your work-in-progress (or draft a brand-new one).

  2. Three Styles: Rewrite that exchange three times—in each, deliberately tweak the tone:

    • Your Natural Voice: Let your instincts guide the line breaks, tag choices, and slang.

    • Cartoony Exaggeration: Amp up every reaction. Over-the-top expressions, dramatic pauses, wild metaphors.

    • Minimalist Whisper: Strip it down—short sentences, sparse tags, no adverbs.

  3. Compare & Reflect: Read all three aloud. Which version felt most “you”? Did the natural draft sound smoother, or did the minimalist version give you unexpected clarity? Jot down what rhythms, word choices, and sentence lengths felt right.


Tag, Rhythm, & Subtext: Your Secret Weapons


What? You thought I’d only give you one exercise? Below is a list of examples that you can apply to your current WIP. 

Dialogue Tags & Action Beats

  • Standard tag:
    “I can’t believe you did that,” Maria said.

  • Action beat:
    Maria’s lip curled. “I can’t believe you did that.”

  • More vivid beat:
    Maria slammed her coffee cup down, black liquid sloshing over the rim. “I can’t believe you did that.”

Action beats ground dialogue in physicality—showing your characters in motion, revealing emotion, and avoiding “he said/she said” monotony.

Rhythm & Pacing

  • Short bursts for urgency:
    “Get out.”
    “Now.”

  • Medium flow for conversation:
    “We can talk about this later, but right now I need to leave.”

  • Longer, winding sentences for reflection or build-up:
    “As the sun dipped below the horizon, painting the sky in bruised purples and fiery oranges, she realized the weight of her decision would follow her into every tomorrow.”

Your Turn: Take a tense scene and rewrite it three ways—one paragraph of clipped, staccato lines; one of measured medium sentences; one of long, flowing descriptions. Which version best fits the mood you want?

The Power of Subtext
What your characters don’t say often tells the story more powerfully than their spoken words. 

I once drafted a poem about my parents’ journey—two stanzas in neat English, polite and polished. It felt…well, generic. Then it hit me: I was erasing the Portuguese idioms they’d lived by. So I rewrote, folding in a whispered “saudade” at the end of one line and letting “fado” hover un-translated in another. Suddenly the poem breathed with that memory: each code-switched word carrying the weight of family history and that first-gen tension between languages.

  • Dodging a question:
    “Did you finish the report?”
    He cleared his throat. “Actually, I—I ran into a snag.”

  • Filler as a shield:
    “I, um, thought maybe we could, you know, talk sometime.”

  • Topic shift to avoid truth:
    “So…nice weather we’ve been having.”

Show don’t tell: These hesitations and topic swaps hint at insecurity, fear, or hidden motives without spelling them out.

Quick Practice: 

  1. Tag Swap: Replace five “he said” or “she said” tags with action beats.

  2. Rhythm Remix: Choose a calm scene and rework it into short, punchy sentences; then reverse—stretch a tense moment into longer, breathless prose.

  3. Subtext Spotlight: Write a two-line dialogue where a character avoids admitting something crucial—reveal their fear through a gesture or change of subject.

Master these techniques, and your dialogue will crackle with voice, tension, and the unspoken truths that keep readers hooked.


Applying Dialogue-Drive Voice Across Genres


You’re not limited to contemporary fiction—creative storytelling techniques translate everywhere:

  • Historical Novels: Let your period dialogue carry modern emotional beats. A Regency lady may say, “I regret to inform you,” but her clipped tone can mirror today’s dry wit.

  • Sci-Fi & Fantasy: Invent slang and idioms that reflect your world, but let emotional subtext root your characters in relatable humanity.

  • Memoir & Creative Nonfiction: Yes, you can “write real” and recreate family conversations to showcase your personal voice, just be mindful of truth and clearance.


Keep a Dialogue Journal

Whenever you overhear an intriguing snippet like your barista’s snappy comeback, your friend’s half-joked confession, capture it. Build a writing exercises notebook full of real-life rhythms and speech patterns. Later, you can remix those beats into your fiction, infusing your scenes with genuine life.


Your Challenge This Week:

Complete the Three-Take Dialogue Drill on two different scenes.

  1. Share at least one version with a critique partner or writing group.

  2. Journal your takeaways: What patterns did you discover about your voice?

By intentionally experimenting with character dialogue, you’ll sharpen your narrative voice, build confidence in your authorial style, and craft stories that feel unmistakably yours. Happy writing!

🖤 Diana

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